Victory is Back in the Air at the National Air and Space Museum

As it nears the end of an eight-year renovation, the Smithsonian Institute’s National Air and Space Museum (NASM) has opened a newly refurbished exhibit dedicated to aviation during the Second World War.

Housed in the Jay I. Kislak Gallery, World War II in the Air is a well-curated, comprehensive exhibit that excels at conveying the impact of wartime aviation from the Battle of Britain to the introduction of self-piloted “wonder weapons” at war’s end.

Amazingly, it does so in a rather limited 6,000-square-foot space.

The most impressive part of any NASM exhibit is the painstakingly restored aircraft, freshly detailed as they were in their heydays. World War II in the Air is no exception with five notable aircraft flown by four different air services.

A Douglas SBD-6 Dauntless Dive Bomber

A Douglas SBD-6 Dauntless Dive Bomber

A Douglas SBD-6 Dauntless dive bomber, which helped the U.S. Navy win the Battle of Midway, draws visitors inside the gallery. It is paired with a General Motors FM-1 Wildcat. In the war’s early days, the Navy and Marine Corps flew this rugged fighter aircraft against more maneuverable Japanese Zeros. Together, these two aircraft introduce the first large display area focusing on the Pacific Theater.

WWII aerial combat in the Pacific established the aircraft carrier as the critical surface warship in a navy’s fleet.  US Navy mission planners chose carriers of different sizes and capabilities, along with the mix of fighters, dive bombers and torpedo bombers, in order to meet their objectives. It was a radical departure from the days when battleships ruled the waves. 

A North American P-51D Mustang transitions the exhibit to the European theater. The P-51’s wing design, powerful engine and expanded fuel capacity provided the Mustang with an extended range, high altitude speed and excellent maneuverability. Introduced into US Army Air Forces combat fighter squadrons in late 1943, the P-51 had more victories over enemy aircraft than any other Allied fighter plane.

A Messerschmitt Bf 109

A Messerschmitt Bf 109

A rival aircraft, the German Messerschmitt Bf 109 is suspended nearby. The Bf 109 was a highly versatile fighter first introduced in 1935. Manufactured on a mass scale, it is the most produced fighter aircraft in history. Widely deployed across Europe on all combat fronts, many German pilots became aces behind its controls.

While fighter pilots and aircraft always garner a great deal of interest, the exhibit importantly covers wartime aviation’s other missions. 

A very rare Ilyuschin II-2 Shturmovik exemplifies the mission of ground support aircraft.  While fighters engaged in dog fights above the battlefield, ground support airplanes provided additional firepower to infantry and armor units engaged in combat or they attacked bridges, docks and rail yards.  Such missions were especially dangerous, with airplanes approaching their targets at lower altitudes. More pilots were killed conducting ground support missions than in aerial dogfights.

The Ilyuschin II-2 in flight

The Soviet-built Ilyuschin II-2 was specially designed with an armored frame and panels making it highly resistant to German ground fire. Known as the “Flying Tank,” the Ilyuschin II-2 frequently attacked German armor columns on the Eastern Front.

Unlike the limited and largely experimental use of bomber aircraft in World War I, bombing campaigns were developed and used to target an enemy’s military, industrial and economic resources. The small size of the Jay Kilsak gallery makes it impractical to place a heavy or even medium bomber on display. However, the exhibit employs a variety of artifacts along with detailed infographics and photographs to explain the role of strategic bombing as carried out by both the Allied and Axis air forces.

The backdrop of this area is a large renowned mural entitled Fortresses Under Fire painted by famed aviation artist Keith Ferris, depicting B-17 Flying Fortresses. 

A Sperry Ball Turret for a B-24 Bomber. B-17s and B-24s had ball turrets with machine guns underneath the body of the aircraft.

A Sperry Ball Turret for a B-24 Bomber

A very prominent World War II era aircraft that was neither a fighter nor bomber was the Douglas C-47 Skytrain. Based on the design of the venerable civilian airliner the Douglas DC-3, this very durable, versatile aircraft supported airborne operations, towed gliders and moved essential equipment and personnel around the world.  During the Normandy invasion alone, over 1,000 C-47s towed 6,000 gliders and dropped 23,000 paratroopers.

On the other side of the world, C-47 pilots distinguished themselves for three years flying “over the Hump” (the Himalayan Mountains) ferrying vital supplies from India to China. The brave pilots flew at 20,000 feet (5,000+ feet over the ceiling of a C-47), braved severe thunderstorms, rock-sized hale and 100 mile downdraft winds. After flying six hours in very difficult conditions, they landed in China, refueled and returned to India. These and other critical supply missions laid the foundation for the air transport system the U.S. military uses today.

A nose of a C-47 is the center of a display on air transport explaining the role of the critical aircraft. 

The nose of a Douglas C-47 Skytrain, with nose art depicting a glider towing aircraft.

The nose of a Douglas C-47

The story of WWII aviation would not be complete without mentioning how America designed and produced such large numbers of remarkable aircraft. World War II in the Air explores how the aviation workforce systematically expanded to meet wartime demands.

In 1941, there were only about 100,000 aviation workers in America, but the workforce grew to over 2,000,000 by 1945. With younger men entering the military, such growth depended on hiring women, retirees, minorities, and others not previously employed in airplane factories. Together, these workers produced over 300,000 aircraft and over 700,000 engines.

The production portion of World War II in the Air is very creatively designed. There are a number of clever, interactive features, such as punching a time clock then getting to “meet” workers on the factory floor.

World War II Poster

World War II in the Air reminds the visitor how everyone had a part to play supporting the war effort. People from all walks of life, backgrounds, and regions of the country became involved in aviation as pilots, air crew members, mechanics, designers and production workers. 

While the Second World War ended many decades ago, its size and scope still commands a presence in America’s collective memory. Through its many artifacts, graphics and 21st century storytelling, World War II in the Air keeps alive for later generations the timeless stories and sacrifices of so many along with the wonder of the aircraft.

* * *

Route Recon

The Smithsonian Institute’s National Air and Space Museum (NASM) is located on the National Mall bordered by Independence Avenue, Jefferson Drive, and 4th and 7th Streets, SW. The entrance is on the north side of the building facing the National Mall. You cannot access the museum from the south side along Independence Avenue. 

Free timed tickets are required for entry into NASM. Tickets can be acquired through the NASM website. Ticket holders will line up near the entrance on the Mall side of the Museum building prior to their entrance time. Entry prior to the time on the ticket is not allowed, but ticket holders can enter after the ticket time.

Parking – Very limited metered street parking is available around the museum. Parking is available in several commercial parking lots in the neighborhood.

Public Transportation

Metrorail – The closest Metro station is L’Enfant Plaza, along the blue, orange, silver, and green lines. From the L’Enfant Plaza Station, take the “A” exit for Maryland Avenue and 7th Street.

Metrobus – Bus stops are located on Independence Avenue, SW, and along 7th Street, SW. Visit the Washington Metropolitan Area Transit Authority for more information.

Immerse Yourself in History at the National Museum of the Marine Corps


Making Marines is the first gallery visitors encounter in their journey through the National Museum of the Marine Corps (NMMC). It describes the 13-week Marine Recruit Training program where young men and women begin their journeys to become United States Marines. 

The gallery floor is lined with painted yellow footprints. These footprints demonstrate for the new recruit exactly where to place their feet to stand at the position of attention. Visitors are invited to also place their feet in these yellow figures, literally following in the footsteps of generations of Marines who have gone before. 

The yellow footprints at the Marine Corps Recruit Depot Parris Island, South Carolina

The yellow footprints at the Marine Corps Recruit Depot Parris Island, South Carolina (July 2004)

-USMC Photo by Lance Corporal Brian Kester

This is one of the main themes of the Marine Corps’s fine museum where the exhibits and displays are designed to immerse the visitor in the Marine Corps’s distinguished history and cherished traditions. 

The NMMC opened in 2006 in Triangle, Virginia. The town is located near Marine Corps Base Quantico, about 32 miles south of Washington, DC. The museum is tremendously successful, attracting over 500,000 visitors each year. 

Visitor immersion starts upon walking in the front door and entering the open Leatherneck Gallery housed under the uniquely designed roof.  Seven restored Marine aircraft are suspended from the ceiling and inspirational quotes regarding the Marine Corps line the walls.

The front entrance of the National Musuem of the Marine Corps
The front entrance of the National Museum of the Marine Corps

The conical roof of the NMMC with its protruding shaft, reminiscent of the flagpole depicted in the famous photograph of the Iwo Jima flag raising, has been a familiar site to motorists on Interstate 95 in Northern Virginia for the past two decades. 

NMMC has expanded steadily through the years, adding new features and displays. In October 2024,  two new galleries opened focusing on Iraq and Afghanistan. NMMC now features twelve galleries and two theaters encompassing the Marine Corps’s 250-year history.

Curators and exhibit designers used a wide variety of tools and techniques to tell the Marine Corps’s story. More than one thousand artifacts are on display, including weapons, aircraft, vehicles, uniforms and various pieces of Marine gear. These historic objects are skillfully supplemented by interpretive signage, historic photos, period newsreels, modern videos and films, posters and works of art.

USMC F4U-4 Corsair on display at the National Museum of the Marine Corps

USMC F4U-4 Corsair on display at the National Museum of the Marine Corps

After learning about Marine Recruit Training (vistors can test their marksmanship on a laser rifle range), the Legacy Walk corridor leads to the chronologically arranged historical galleries. The galleries explain the Marine Corps’s role in shaping American history. 

On November 10, 1775, Congress directed the raising of two battalions of Continental Marines. From the start, the Marines were designed to be an expeditionary force, accompanying the US Navy on warships and providing a ground-based fighting capability.

Early Marines provided security onboard US Navy ships for the captain and other officers, while also enforcing discipline among the crew. During ship-to-ship combat, Marines were posted on the ships masts and rigging, acting as sharpshooters targeting the opposing captain and crew. 

A display showing early Marines positioned on a ship's mast.

A display showing early Marines positioned on a ship’s mast.

Marines also acted as infantry conducting a raid on Nassau, Bahamas in early 1776 and attacking a barbary pirate fortress in Libya at the Battle of Derna in 1805 (wherein comes the reference to the “Shores of Tripoli” in the Marine Corps Hymn). 

Marines fought alongside the US Army in the Mexican War and helped to suppress John Brown’s raid on Harpers Ferry in 1859. A 350-Marine battalion engaged Confederate forces at the first Battle of Bull Run in June 1861. 

Through the 19th and early 20th centuries, the Marines performed a number of expeditionary missions in various parts of the world where American interests were deemed threatened. Well-trained Marines were easily deployed and avoided the political ramifications of sending the Army, which could be equated with declaring war on another country.

M1895 Colt Machine Gun in front of The Defense of Peking-1900 by Staff Sergeant John Clymer, USMCR

M1895 Colt Machine Gun in front of The Defense of Peking-1900 by Staff Sergeant John Clymer, USMCR

While the decision to deploy Marines may have been easy, the missions were not. Marines were expected to establish order, disarm insurgents and train local military or police forces. The Marines referred to these operations as Small Wars.

Difficult as they were, these deployments were covered extensively by American newspapers at the time and provided a positive portrayal for the Marines to the American public. That narrative grew exponentially for the Marine Corps following the Battle of Belleau Wood in 1918.

To tell the story of of Belleau Wood and later Marine battles, the NMMC galleries covering World War I through today all incorporate large-scale immersive exhibits. Sight, sound and other effects (such as cold air in the Chosin Reservoir exhibit) are combined to draw the visitor into the Marine Corps’s story. 

These large immersive scenes are a major feature of the museum. 

Life-sized cast figures depicting hand-to- hand combat during World War I

Life-sized cast figures depicting hand-to- hand combat during World War I

Visitors can step right into the scenes and experience an attack at Belleau Wood, a pre-deployment briefing before the invasion of Iwo Jima, deploying from a CH-46 helicopter at Khe San in Vietnam, and patrolling the streets in Iraq. The scenes convey a potent sense of realism with posted signs advising visitors of the intensity of these exhibits.

In a scene depicting the Battle of Hue, a Navy corpsman treats a Vietnamese girl beside an M50A1 Onos anti-tank vehicle.

In a scene depicting the Battle of Hue, a Navy corpsman treats a Vietnamese girl beside an M50A1 Onos anti-tank vehicle.

To NMMC’s credit, it understands its displays may overwhelm some visitors. In 2024, a restroom was converted into the Respite Room, a quiet, private space away from the galleries. 

Decorated in wood tones and calm colors, the room has soundproofing, soothing music and is devoid of any military symbols or references. Museum staff are trained on the best ways to steer visitors to the room as appropriate.

As proud as the Marines are of their heritage, the museum’s displays are not just about the past. In 2020, the Museum opened exhibits on contemporary missions such as Marines performing humanitarian operations, providing security at US embassies, and about the structure and functions of Marine Air Ground Task Forces, the principal organizational unit for today’s Marine Corps forces.

There is also an important display on Marine Corps families, which emphasizes how service in the Marine Corps is a family-wide commitment deserving of the Corps’s continued support and dedication.

Inside the Semper Fidelis Memorial Chapel

Inside the Semper Fidelis Memorial Chapel

While there is much to see, the NMMC experience is not confined to the building. On the museum grounds is the 40-acre Semper Fidelis Memorial Park. A 1.2-mile paved walking trail through this manicured green space is dotted with plaques, sculptures, benches and other features commemorating individual Marines, units and battles, as well as Marine families and broader communities. 

The centerpiece of the park is the Semper Fidelis Memorial Chapel, which serves as a quiet place for reflection and community events. 

An immersive visit to the NMMC is well worth the investment of several hours to explore its offerings. Those interested in history or who have a connection to the Corps will find it especially intriguing. Young people considering joining the Marine Corps will find it informative. They will leave knowing what Marine Corps service is about and what their leaders will expect from them. 

However, the Marine Corps Museum isn’t just for Marines–It’s a museum for everybody.

Any visitor should leave with a good understanding of how the Marines fit uniquely into American history, and what their role is today.

A World War I era US Marine Corps recruiting poster

A World War I era US Marine Corps recruiting poster

* * *

Route Recon

The National Museum of the Marine Corps is located at 1775 Semper Fidelis Way, Triangle, VA 22172.

The Museum is open every day from 9:00 AM until 5:00 PM except Thanksgiving and Christmas. Visit the museum’s website for more information about temporary exhibits and special programming.

Triangle, VA is located just off I-95, about 36 miles south of Washington, DC and 76 miles north of Richmond, VA.

From I-95 heading south, take Exit 150A to Route 1 (Richmond Highway); turn right (south) onto Route 1; travel approximately ¼ mile; the Museum’s entrance is on the right.

From I-95 heading north, take Exit 150 (619 East Triangle/Quantico); turn right (south) onto Route 1; travel approximately ¼ mile; the Museum’s entrance is on the right.

Admission is free and there is no charge for parking at the Museum. 

Mess Call

There are two dining options at the National Museum of the Marine Corps.

The Devil Dog Diner provides cafeteria service with a selection of hamburgers, hotdogs and chicken sandwiches. It is open 10:00 AM – 4:00 PM daily.

The Tun Tavern is a full-service restaurant with an 18th century colonial atmosphere. It is open 11:00 AM – 4:00 PM daily.

Find the menus for both restaurants on the museum’s concessions webpage.