They Answered the Call to Arms

As the smoke cleared at Lexington and Concord on that fateful April day in 1775, supporters of American independence relished in the successes of the brave militia forces. 

But they well understood the cause for independence would take a well-trained regular army capable of defeating the British on an open battlefield. Furthermore, this army needed to represent all of America and not dominated by a single colony or region. 

On June 14, 1775, the Continental Congress established the Continental Army and appointed George Washington as its commander in chief. In recognition of the Army’s 250th Anniversary, the National Museum of the US Army, at Fort Belvoir, Virginia has opened a special exhibit entitled Call to Arms: The Soldier and the Revolutionary War. 

A pair of epilettes belonging to Jeddidiah Huntington of Connecticut.

This pair of major general epilettes belonged to Jeddidiah Huntington of Connecticut. Huntington had encouraged George Washington to adopt this design for general officers’ epilettes.

To tell their stories, museum curators sought and received an abundance of unique and important Revolutionary War era pieces from state governments, private collectors and international organizations. The resulting assemblage of weapons, uniforms, colors and everyday articles includes items that have not before been on public display in the United States. 

The 5,000 square foot exhibit is laid out in roughly chronological order. Two innovative topographical battle maps–one of Bunker Hill, the other of Yorktown–bookend the exhibit representing the first and the final battles for the Continental Army.  Similar to the twinkle light maps of the past, these three dimensional representations depict the operational plans and troop movements of each battle, accompanied by slick videos providing additional context. 

Other battles and campaigns are briefly described with corresponding artifacts, maps and illustrations to connect the visitor to the period. The early struggles in New York and Pennsylvania, the successes in New Jersey, the turning point at Saratoga and the Southern Campaign are put in context and placed in a timeline. Videos enhance these displays describing aspects of 18th century warfare, such as weapons and battlefield tactics.

These displays with brief summaries are a reminder that these battles were fought by soldiers from across the new country. In an era when few people traveled very far from their homes, New Englanders fought in South Carolina and Virginians fought in Pennsylvania. The seeds of our national identity were planted on the battlefields of the Revolutionary War.

A British 3-Pounder gun tube captured at the Battle of Saratoga

A British 3-Pounder gun tube captured at the Battle of Saratoga

Those interested in 18th century weaponry will not be disappointed in their visit. There are many splendid muskets, rifles, carbines, pistols, swords and bayonets. However, the real focus of Call to Arms is the lives of Continental Army soldiers, their motivations, successes, experiences and how they emerged as an effective fighting force.

The lot of a soldier in the Continental Army was a difficult one. Living conditions were challenging, pay was inconsistent, rations and supplies were usually in short supply. These rigors of military life were shared by soldiers from every state.

Still, Americans from the north and south, coastal cities and frontier homesteads answered the call. Then, as now, soldiers enlisted for different reasons. They fought for independence, but also for their communities, comradery, pay, a sense of adventure or because other family members or friends also enlisted.

A plaster casting of Anna Maria Lane, wife of Private John Lane.

A plaster casting of Anna Maria Lane, wife of Private John Lane. She followed her husband to camp when he enlisted in the Continental Army in 1776. She took up arms herself and was wounded at the Battle of Germantown in 1777.

Over the eight years of Revolutionary War, about 231,000 men (and some women) served in the Continental Army.  Enlistments would ebb and flow based on any number of factors, such as the time of year, local economic conditions and success of the army in the field. The maximum size of the army at any one time was about 48,000 troops.

A portion of the exhibit entitled Camp Life explores the life of the Continental Army soldier away from the battlefield. What soldiers ate, where they lived and their daily activities, such as drill, guard duty and the building of fortifications, are all examined.

A notebook belonging to British Major John Andre. His capture in 1780 led to the identification of General Benedict Arnold as a traitor.

A notebook belonging to British Major John Andre.

One of the more intriguing group of artifacts are a display of powder horns. These hollowed-out animal horns were essential kit for 18th century soldiers, allowing them to quickly add gunpowder to the flashpans of their flintlock muskets.  Soldiers often decorated their powder horns or used them to record important dates or locations.

Accompanying the display is a video screen where digitized images of the complete powder horns can be viewed by visitors to more clearly see the intricate designs. Information about the original owner is also available. The richly decorated powder horns remind us these early soldiers were more than faded names on yellowed muster rolls, but real people fighting for something they believed in. 

A powder horn belonging to Private John Bond of Massashusetts.

A powder horn belonging to Private John Bond of Massachusetts. Bond enlisted in the Continental Army on July 4, 1775 and served for five years. He fought at the Battle of Bennington in 1777.

Also included in the exhibit are several very detailed cast figures representing specific individuals who served with the Continental Army. There is southern aristocrat, a Native American tribal chief, even a married couple who served together. They add an important human element to the exhibit’s interesting array of artifacts, well-designed graphics and use of technology.

Continental Army soldiers met many struggles during their service. Sadly, they encountered more upon returning home.

At the end of the exhibit is a collection of documentation which mark the beginning of the process well known to today’s veterans and their families, applying for benefits.  At the end of the war, many soldiers went home with promissory notes in lieu of their pay and they struggled economically. Legislation to provide pensions to veterans was slow in coming.

Congress did not pass legislation providing pensions to common soldiers until 1818, thirty-five years after the end of the Revolutionary War. By this time, many veterans had died or lost important records that proved their service.  This display though shows pension applications and examples of the documents that Continental Army veterans or their survivors would provide, such as muster roles, discharge papers, and pay records.

The discharge document of Drummer Benjamin Loring of the 2nd New York Artillery.

Discharge document of Drummer Benjamin Loring

Call to Arms artfully tells the story of the Continental Army, with its wonderful artifacts and state of the art technology. It reminds us of an important lesson first demonstrated by the Continental Army and continued in today’s United States Army.

George Washington reflected on it in his farewell message to his troops as he wrote: Who that was not a witness would imagine … that Men who came from different parts of the Continent … would become but one patriotic band of Brothers.

Washington well understood the unity forged among his soldiers was crucial for achieving their shared goal of victory.

250 years later, it is still a lesson to remember.

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Call to Arms is on display at the National Musuem of the United States Army until June 2027. The musuem is open daily from 9:00 AM – 5:00 PM except on Christmas Day. Visit the museum’s website for free entry tickets.

The musuem is located in a publically accessible portion of Fort Belvoir, Virginia. The museum address is 1775 Liberty Drive, Fort Belvoir, VA 22060, but be aware not all GPS systems recognize the Museum’s street address.

You can download a map with directions here.

Military History on the Mall


For the past 250 years, Americans have consistently answered the call to war.  

To answer that call, they often left behind civilian lives, families, and communities. Wars are never fought in a vacuum. With each conflict, there are corresponding impacts on American life and society.

On Veterans Day, 2004, the Smithsonian Institute’s National Musuem of American History, located on the National Mall, opened an ambitious military history exhibit to explore not just battles and campaigns, but rather the many ways wars have physically, culturally and economically shaped America throughout its history.

French cannon

A French four pounder field cannon, a gift to the Americans from the Marquis de Lafayette

Entitled The Price of Freedom, Americans at War, the exhibit was designed to be extensive, occuping over 18,000 square feet and examining 16 conflicts in nine different galleries. Visitors follow a maze-like path through these chronologically arranged galleries, from the French and Indian War through Iraq and Afghanistan.

In designing The Price of Freedom, curators stayed away from displays comprised largely of weapons and uniforms (although there are still plenty of those). Rather, they identified over 800 unique artifacts from the Smithsonian’s extensive collection. Some of the more notable items on display include George Washington’s sword and scabbard, the chairs used by Ulysses S. Grant and Robert E. Lee at Appomattox and a Willys Jeep from World War II.

A melt resistant chocolate bar developed by the Hershey Company and provided to US servicemembers in the Pacific Theater during World War II

Hershey's Tropical Chocolate Candy Bar

However, head curator David Allison sought a symmetry in the selection of the artifacts. He wanted to display noteworthy items along with more common articles reflecting the service members and their times, such as rations, books and playing cards.

In addition to the artifacts, exhibit designers use photographs, contemporary illustrations, videos, interactive stations, and other features to help interpret the wartime experience and immerse the musuem visitor in the time. 

The most unique display is in the Vietnam War gallery where 16 different 1960’s-era television sets show contemporary footage and commentary depicting how Americans experienced the Vietnam War at home. The viewing area for the televisions is reminiscent of a mid-century living room, complete with a blocky couch and chair covered in thick clear plastic as your grandmother or aunt might have had. 

1960's era televisions
An array of 1960’s era televisions used in a display in the Vietnam War gallery in the Price of Freedom exhibit at the Smithsonian National American History Musuem

The Revolutionary War, Civil War, World War II and Vietnam War galleries are the largest. These spaces immerse you in the story of the war and how it impacted soldier and civilian alike.

The Wars of Expansion Gallery is smaller, but provides important context and accounts for a series of 19th century conflicts, such as the Battle of Little Bighorn and the Spanish-American War, which may be less familiar to many visitors.

The mix of artifacts and displays broadens the appeal of The Price of Freedom to a wider audience. Those with less interest in military subject matter should still enjoy viewing some of the more unique items while serious students of history are sure to come away having learned something new. 

General George Custer’s buckskin coat

Custer's Buckskin Coat

While in most cases The Price of Freedom achieves its aims, there are a few shortcomings. 

Unfortunately, the exhibit space for World War I is too limited. The display misses or minimizes some important themes, such as the rapid expansion of the Army, the mobilization of the American economy, the changing role of women in the military, and the emergence of the United States as a world power. 

The Gulf War display is similarly small, seemingly limited to uniforms worn by Colin Powell and Norman Schwarzkopf. 

There is also an unfinished feel to the exhibition space for the wars in Iraq and Afghanistan. This is understandable as the original exhibit opened in 2004 before those conflicts ended. However, there is space for a more complete examination of both those conflicts than is currently provided. 

Chairs used by Grant and Lee at Appomattox.

The chairs used by Ulysses S. Grant and Robert E. Lee at Appomattox.

At the conclusion of The Price of Freedom is a short film with veterans reflecting on their motivations and sacrifices of their service in the American military. The film concludes with scenes from U.S. military cemeteries showing orderly tombstones and listing the number of interments. 

There are also recurring references to casualites throughout the galleries in keeping with the intent of the exhibit principal funder, Kenneth Behring. He desired the exhibit specifically to recognize the ultimate sacrifices made by American men and women who died in wartime. 

Even with a few flaws, two decades after its opening, the Price of Freedom remains true to its original mission. As America prepares to celebrate its 250th anniverary, this important exhibit gives visitors a thorough synopsis of America’s military heritage and its significant influence on our national character. 

Washington's sword and scabbard
George Washington’s sword and scabbard from the American Revolution

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The Smithsonian National Museum of American History is located at 1300 Constitution Avenue N.W., Washington, D.C. 20560

The nearest Washington DC Metro Stations are Federal Triangle and Smithsonian. Both stations are on the Metro Blue, Orange and Silver lines.

There is no public parking facility for the Smithsonian museums on the National Mall. A limited number of city-operated metered parking spaces along adjoining streets are available.  

The Musuem is open daily (except Christmas Day) from 10:00 AM to 5:30 PM.

Consult the Musuem’s website for more information about other exhibits.

Please note: The Price of Freedom, Americans at War exhibit includes some graphic images of war and casualties.

A guide to the exhibit is available here.